Greed
from Fullmetal Alchemist: BrotherhoodFan favourite
Greed is the Homunculus of avarice who desires everything — money, power, women, notoriety — and Fullmetal Alchemist: Brotherhood's most effective character study in the discovery that what he actually wants is the one thing that makes him impossible not to care about.
Background
Created from one of Father's own Philosopher's Stone fragments, Greed embodies the sin of avarice. Unlike his siblings, he operates independently — maintaining his own establishment in Dublith, surrounded by chimera allies, and explicitly refusing Father's agenda. This independence is the first indication that Greed is different from the other Homunculi in kind rather than degree. Father eventually reclaims and reconstitutes him, reimplanting the Philosopher's Stone in the body of Ling Yao, a Xingese prince who sought immortality. The resulting partnership is one of the series' most functional dynamics: two very different consciousnesses sharing a body and, gradually, a goal.
Powers & Abilities
| Ability | What it does |
|---|---|
| Ultimate Shield | Rearranges carbon in his own body to create an impenetrable black armor — harder than any material in the series, rendering him effectively invulnerable while active |
| Homunculus Regeneration | Can recover from nearly any physical damage; requires Philosopher's Stone reserves to sustain |
| Shared Consciousness with Ling Yao | The two can communicate internally and periodically exchange control; each has access to aspects of the other's strengths under specific conditions |
Personality
Loud, boastful, and performed in exactly the way that someone who genuinely wanted everything might seem — except the performance gradually reveals what it is covering. His rage when his chimera followers are killed is the first indication that what he calls wanting everything actually means wanting the specific things he has, and that the language of acquisition was always a substitute for attachment. His relationship with Ling allows this to be shown without being explicitly stated.
Relationships
- Edward Elric — an antagonist whose early confrontation with Greed in Dublith establishes the series' first significant stakes; their later encounters reframe what that fight meant
- Alphonse Elric — encounters the brothers in contexts that test both parties' principles
- Roy Mustang — a figure in the endgame conflict whose goals eventually intersect with what Greed chooses to pursue
Role in the Story
Greed is Brotherhood's most explicit portrait of desire as substitute for connection — someone who has been calling attachment by the wrong name for long enough that he has forgotten there is a difference. His arc runs as comedy until its final beat, which is one of the series' quietest and most effective emotional moments.